Prosperous thought

As you lift the handle
There will be several ghosts of sentiment,
offerings derived as question.
This life, an emptiness discerned; we will spurn with kisses from the very thing touched,
Yearned for in its absence.
Still to stale
Sift, entangled. tracing neglect sought, soon satiated.

Fennel and persimmon grow, caused an absinth of elements when we pass that home past October, there to bide and breathe.

Walking through gates
a ride is riddled with forcible consideration.
O to be natural for the first time in a while,
Deepest oil paint rust on brush, a line of leering birds winding shapeless to convex captured only in memory.
This inner tension, the image scatters as mind
careening in rotation,
Shutter of breath
Shutter of breath.
PROSPEROUS THOUGHT.
There are old pages of cursive curses, coming at once, a cacophony in myth or test.
Trapped mentors of approval make faces in the wings, the message; they will resent soon after.
I am laughing with him
These old pages are furled to connection’s consolation, life by random gasps’ of wind, shape moving into a continuous estrangement . then dulled to a slight gentle extension, Careening in rotation
Shutter of breath

N.A.R 2000

alright and not at all

Alright, not al all Sun Oct 17th, 2010

 

The weight I’ve perceived..my angst in thought my babbling head ..the plague of reference.
Shaking the mud from the inside out… but this dirt doesn’t come off.
Could I parade the onslaught of children (INSIDE HERE) { Points at the head,} they carry dandelions and ferns in hand on their way to the river.
the babes are in song, yes these little girls and boys are smoking cigarettes, crushing, and cussing up a storm.

It’s a miracle I’m with you here at all
I guess they didn’t get out in time, and they have turned on me…….
The knowledge I drink, from this dirty cup of frozen hostile words, and forced smiles, still echos a Bearing of likeness to sweetness and yearning.. to be me again, whoever I am.

It only takes one occurrence and in my case several, to burden the heart to extents where those children run through-out .. and the laughter becomes a jeer or a brow’s beat.

The seeming cavalcade of bodies passing, chewing unripe fruit. they are still racing, believing to be impervious to where they now preside onward from. entrenched in memories in the confines of my mentality;
where arranged as installations they take on specific shapes. I hear the, “Oh the Ahh,” the doubters, the portrayers, the insistent and resistant. The display of the last pure kiss from my true love. the things that we do with the knowledge of loss.
all the bitterness which begins as hope, and can’t release in time.
There is only one adult, and she is the sitter inside of me. she counts up the kids and makes sure all of them are accounted for, and she is just trying to keep it all together if you know what I mean. She does so enjoy directing the children around my love’s display. though it makes me weak, I must say it is the only comfort these days. This is the thought that makes it all right and not at all

NAR  3/29/07

Altitude

I heard a woman’s voice scream from out of my window , “It my birthday.”
Her friend said, “It’s her birthday.”
Further away down the street cars whistle by an approaching voice says,
“It’s your birthday, Happy birthday.”
“Thank you ,” She said
I had an idea started as a scream scratched it down before it was gone
Imprinted a character sketch of this song, her name a muse, I call her altitude.
And it’s her birthday
She is high up on an airplane flight now , and the borders and cliffs look like slices of cake
In the turbulent place between ground and air, things seem as she’d like them
The choppy clouds rattle change her course just a wince
She will land in time to see the candles melt in the surface of cool white icing, on her birthday
“Happy Birthday”
“Thank you,” she said.

NAR 1996

Vision Of Doubt

The obsession offers pensive aggression; in turn to do.Here is the quota for the plenty: here is to kicking out of time after the spoils are left in path. It doesn’t matter. Oh, you matter, you wouldn’t believe how much; but I feel the hard distinguishable feature and it does not bring what is needed. To rest assure my own entirety, those silent strings will echo as the fingers snap and make motion; after this. I can hum the melody. This instrument is not necessary to convey the simple notion of my origin of this as of yet uncompleted song.

I don’t know what to say to you or what to put in words or whys.

I could enterprise my stories and they would come alive; they come alive.

But I want to create ease. Yesterday I wanted to challenge; fighting the oppressor of us all. In return, I found the pain of plight.

Tomorrow I cannot say where my attention should be only that it is overwhelming and I’m working to purification as an excuse to strip away the agony of hurt till I’m 8 years old again.

Something will surely come of it. Yes, something.

I will be puny at moments and thusly all of its mass and some. Still, it is not me nor any longer. Just as soon as I complete the next word it will change and be eerily similar and I will feel deterred and requited, finding resolution in hand, and then I’m clueless to the origins.

This is another fatality she said: my head is a hospital and the staff is scarce. My thoughts are in line wounded, waiting, waning, fading in uncomfortable chairs; unattended to, at least until the day shift returns and these thoughts find bearing to assistance.

 

N.A.R FEB 2008

 

A.Sleeper

 

  •  “Cracked Pot, Good Problem,” by A.Sleeper

http://www.asleeperband.com

LIMESrecorded live captured by Craig Kimberly

X6VN40hky5Y

SLEEPER began to form in January 2004 in Norfolk,VA. The individuals have consisted of different players. Winding to present, founders, Ned Ascher (Given, Sundial Orchestra West & East) & Jon Steele (Everyone and then some,) are joined by Core member Lex Park(Ananda , Mr. One, Sundial Orchestra East) as well as drummer Wellington {BOO} Britt (Necy Ivory, Jon Bibbs, Fuzz Band,Sundial Orchestra East)

The band plays as both four and five-piece ensembles. Instrumentation includes; acoustic and electric guitar, poly rhythmic drums, base and textured loops with persuasive vocals and harmonies.

Sleeper hums in a sort of lure, seeming in action like retaliation, inviting with a certain presence that is unique and touchable. Feels which vibe towards a sort of Spanish, Middle Eastern, Sephardi, affect in rock, adorn the words in warm and evocative waves. A rich notion of story draws itself into the measures with earthy / organic affluence, a halcyon in heightened states of being inspirited from all the sincere things that exist in reference.

Sleeper’s full length (Cracked- pot, good problem) soon.

 

 The uncoming release will feature a number of guest appearance from the following great players

  Duane Smith

Trumpet and Fugal horn

  Tony Brucco

Electric guitar, mandolin and dobro

  Jon Axtel

electric guitar, synth guitar

  Rich Lilliston Jr

Saxophone

  Brent Brandon

Organ

Jon Steele

Guitar

a new recording should be ready by the end of summer . The latest incarnation , A.slept -tet , “there is a derivative mood.”